{"id":15757,"date":"2020-09-14T14:25:22","date_gmt":"2020-09-14T17:25:22","guid":{"rendered":"https:\/\/hom.urgesite.com.br\/?p=15757"},"modified":"2021-03-15T21:14:51","modified_gmt":"2021-03-16T00:14:51","slug":"entrevista-seatemples","status":"publish","type":"post","link":"https:\/\/hom.urgesite.com.br\/?p=15757","title":{"rendered":"ENTREVISTA | Seatemples"},"content":{"rendered":"<hr \/>\n<p><a href=\"https:\/\/hom.urgesite.com.br\/2020\/09\/14\/interview-entrevista-seatemples-2020\/#\u00e2ncora\">READ IN ENGLISH<\/a><\/p>\n<p>Coquimbo \u00e9 um cidade mar\u00edtima do norte do Chile, e nas palavras de seu fundador, Patricio Temples, o que mais gosta da cidade \u00e9 a sua localiza\u00e7\u00e3o, perto do mar, onde \u201cna maior parte do ano podemos observar uma densa cortina de nevoeiro costeiro em contraste com a cordilheira costeira, que \u00e9 muito inspiradora\u201d.<\/p>\n<p>Formada em 2014, e centrada no duo Patricio Temples e Patricia Ugalde, a banda lan\u00e7ou recentemente seu segundo \u00e1lbum, <em>Tropicos<\/em>, dando sequ\u00eancia a <em>Down Memory Lane<\/em>, de 2017.<\/p>\n<p>Eles seguem imponentes em sua capacidade de criar densas espirais atmosf\u00e9ricas de grande poder magn\u00e9tico que, subitamente, nos atraem, atordoam e hipnotizam atrav\u00e9s de espessas brumas de barulho atordoantes que se juntam a elementos mel\u00f3dicos profundos perpetrados pelas linhas graves do baixo. A sensa\u00e7\u00e3o \u00e9 de um v\u00f3rtice sedutoramente envolvente em que somos jogados e nos jogamos de volta num ciclo que se repete, qual S\u00edsifo a rolar a rocha ao topo da montanha.<\/p>\n<p><span style=\"font-size: large;\">Talvez seja como a banda descreve sua m\u00fasica \u201cuma forma de viajar por diferentes escalas ao longo dos sentidos e emo\u00e7\u00f5es\u201d. Ao adentrar nessa viagem proposta pelo Seatemples, sentimentos de nostalgia e melancolia s\u00e3o evocados. Uma esp\u00e9cie de romantismo que ressoa atrav\u00e9s das soturnas muralhas de entalhes copiosos constru\u00eddas em formas de can\u00e7\u00f5es, que se unem em pontos diversos, mas elaboram aspectos \u00fanicos em cada uma delas.<\/span><\/p>\n<p>Enfim, o tipo de m\u00fasica que parece ser em v\u00e3o buscar palavras para descrev\u00ea-la, j\u00e1 que est\u00e1 intimamente conectada com sensa\u00e7\u00f5es, algo \u00fanico e misterioso.<\/p>\n<p>Perguntamos ao grupo sobre origens e forma\u00e7\u00e3o, sobre o processo de grava\u00e7\u00e3o de Tropicos, sobre o tempo, Bandcamp e muitas outras coisas, que est\u00e3o a\u00ed nessa nossa entrevista.<\/p>\n<hr \/>\n<p><strong>Qual foi a fa\u00edsca que acendeu para voc\u00ea decidir formar a Seatemples? Quem est\u00e1 na banda atualmente?<\/strong><br \/>\n<strong>R:<\/strong> Patricio e eu nos conhecemos h\u00e1 muito tempo, n\u00f3s dois j\u00e1 t\u00ednhamos participado de projetos musicais anteriores, mas foi s\u00f3 em 2014 que nos reunimos e come\u00e7amos a tocar como uma banda. Naquela \u00e9poca mor\u00e1vamos perto do mar, ent\u00e3o ter essa paisagem t\u00e3o pr\u00f3xima foi definitivamente inspirador e algo que quer\u00edamos adicionar \u00e0 nossa m\u00fasica.<\/p>\n<p>A banda atualmente \u00e9 Patricio na guitarra, sintetizador de vocais e samples, Priscila baixo e vocal, Harold na bateria e percuss\u00e3o e Valentino que acaba de se incorporar \u00e0 banda.<\/p>\n<p><strong>Sobre a escolha do t\u00edtulo do novo \u00e1lbum, Tropicos, que seria uma esp\u00e9cie de \u201cmapeamento de diferentes latitudes geogr\u00e1ficas dentro de uma variedade de nuances e atmosferas hipn\u00f3ticas\u201d. O que poderia nos contar a respeito?<\/strong><br \/>\n<strong>R:<\/strong> \u00c9 uma met\u00e1fora para falar sobre como nossa m\u00fasica pode viajar por diferentes escalas ao longo de nossos sentidos e emo\u00e7\u00f5es. Quando escrevi as m\u00fasicas tentei n\u00e3o repetir as cenas emocionais que elas evocam, tento fazer diferentes hist\u00f3rias com uma variedade de personagens e texturas para criar um novo cen\u00e1rio ou enredo em cada caso.<\/p>\n<p><strong>O \u00e1lbum foi lan\u00e7ado h\u00e1 pouco tempo, em meio \u00e0 pandemia, mas teve as grava\u00e7\u00f5es iniciadas em 2019. Como foi o processo de grava\u00e7\u00e3o e o que levou a lan\u00e7arem o \u00e1lbum nesse momento t\u00e3o delicado?<\/strong><br \/>\n<strong>R:<\/strong> Bom, o levante social come\u00e7ou em outubro <strong>[ocorrido no Chile]<\/strong>, naquele momento planej\u00e1vamos uma turn\u00ea pelo pa\u00eds com algumas datas. Tentamos concentrar nossos esfor\u00e7os e tempo em terminar alguns detalhes das m\u00fasicas mais recentes, atualizamos nosso est\u00fadio caseiro para torn\u00e1-lo mais profissional, ent\u00e3o a pandemia veio e se tornou totalmente imposs\u00edvel ver um futuro otimista, mas a verdadeira voca\u00e7\u00e3o da m\u00fasica e da arte teve um efeito maior e mais significativo sobre n\u00f3s, ent\u00e3o decidimos seguir em frente e tamb\u00e9m agradecemos a todos os nossos f\u00e3s que nos escreveram enviando seu apoio, na verdade, conectou-se diretamente com o apoio quando oferecemos uma pr\u00e9-venda do \u00e1lbum que foi imediatamente esgotado .<\/p>\n<p><strong>Chama a aten\u00e7\u00e3o nos aspectos t\u00e9cnicos a presen\u00e7a do produtor e engenheiro de som Daniel Knowles (Amusement Parks on Fire, DIIV) na mixagem e o produtor italiano Maurizio Baggio (The Soft Moon, Boy Harsher, Holygram) na masteriza\u00e7\u00e3o de Tropicos. Como aconteceu essa parceria?<\/strong><br \/>\n<strong>R:<\/strong> N\u00f3s t\u00ednhamos trabalhado com Nicholas Wood anteriormente em nosso primeiro single Chaosphere, e nossa ideia era continuar trabalhando com ele, mas ele tinha alguns problemas de tempo, ent\u00e3o no final n\u00e3o foi poss\u00edvel. Ent\u00e3o l\u00e1 est\u00e1vamos n\u00f3s com muitas m\u00fasicas gravadas mas sem produtor, foi ent\u00e3o que Patricio entrou em contato com Jennifer F. que nos apresentou a Daniel Knowles, seu marido, que por acaso era ex-membro da APOF, produtor e engenheiro de som . Fizemos uma mixagem de teste e nossas vis\u00f5es coincidiram, ent\u00e3o Daniel foi a adi\u00e7\u00e3o perfeita para a equipe e estamos muito felizes com o resultado do \u00e1lbum.<\/p>\n<p><strong>De que forma o trabalho de Daniel e Maurizio influenciou na sonoridade final de Tropicos? Nossa impress\u00e3o \u00e9 que h\u00e1 uma melhor \u201charmoniza\u00e7\u00e3o\u201d entre os instrumentos. O que acha?<\/strong><br \/>\n<strong>R:<\/strong> Pessoalmente, acho que Daniel e Maurizio nos ajudaram a colocar tudo junto. Antes de gravar, estudamos as m\u00fasicas e tentamos gravar da forma mais organizada poss\u00edvel, mas existem certos elementos que precisam ser incorporados na mixagem.<\/p>\n<p><iframe style=\"border: 0; width: 200%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=565365847\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><a href=\"https:\/\/seatemples.bandcamp.com\/album\/down-memory-lane-album-2017\">Down Memory Lane [Album] 2017 by Seatemples<\/a><\/iframe><\/p>\n<p><strong>Voc\u00eas sentiram algum tipo de press\u00e3o, at\u00e9 de si mesmo, por ser o segundo \u00e1lbum? E como ele se conecta com Down Memory Lane, o \u00e1lbum anterior? Minha impress\u00e3o \u00e9 de uma sonoridade mais atmosf\u00e9rica, mais on\u00edrica.<\/strong><br \/>\n<strong>R:<\/strong> Eu acho que esse \u00e1lbum se conecta com Down Memory Lane atrav\u00e9s de paisagens \u00edntimas, \u00e9 muito importante para n\u00f3s podermos criar atmosferas que permitem que voc\u00ea se relacione com quem est\u00e1 ouvindo. Como criamos algumas expectativas com Down Memory Lane, aprendemos muito sobre o processo criativo, decidimos gastar mais tempo e tudo que era necess\u00e1rio neste \u00e1lbum para fazer um disco perfeito. Em primeiro lugar, as can\u00e7\u00f5es s\u00e3o muito mais elaboradas, poder\u00edamos integrar mais recursos, tentamos melhorar nossas habilidades para contar hist\u00f3rias cinematogr\u00e1ficas criando uma trilha sonora not\u00e1vel para desajustados.<\/p>\n<p><strong>A m\u00fasica de voc\u00eas incorpora elementos do P\u00f3s-Punk, do Shoegaze, Dreampop e Darkwave, resultando numa combina\u00e7\u00e3o musical que gera tanto melancolia quanto nostalgia, \u00e0s vezes uma sensa\u00e7\u00e3o de hipnose. Como se originam as m\u00fasicas do Seatemples e qual a import\u00e2ncia das letras na cria\u00e7\u00e3o das atmosferas?<\/strong><br \/>\n<strong>R:<\/strong> Acho que tem a ver principalmente com uma vis\u00e3o quando voc\u00ea come\u00e7a a escrever uma m\u00fasica baseada em uma \u00fanica melodia e linha, \u00e9 como se voc\u00ea tivesse a habilidade de decidir o que colocar antes e depois daquela cena m\u00e1gica, depois voc\u00ea puxa os elementos e ambientes porque quando voc\u00ea adiciona esses sons que podem variar e voc\u00ea percebe isso devido a um crit\u00e9rio est\u00e9tico \u00e0s vezes, ent\u00e3o voc\u00ea sabe que tipo de letra precisa ser desenvolvida no lugar e no momento certo, isso tamb\u00e9m pode ser feito ao contr\u00e1rio. No final, acho que \u00e9 um processo muito profundo e especial, \u00e0s vezes espiritual, \u00e0s vezes experimental, mas voc\u00ea nunca desconecta sua vis\u00e3o e senso de beleza e viaja por essa cena uma e outra vez como se estivesse em loops.<\/p>\n<p><strong>Por falar em letras, o que o levou a compor m\u00fasicas em espanhol para o novo \u00e1lbum? Ao mudar de idioma, voc\u00ea tamb\u00e9m nota mudan\u00e7as na percep\u00e7\u00e3o da atmosfera da m\u00fasica?<\/strong><br \/>\n<strong>R:<\/strong> Bem, como falantes nativos de espanhol, n\u00f3s crescemos lendo muito poesia, Vicente Huidobro e Gabriela Mistral s\u00e3o bastante familiares para n\u00f3s assim como m\u00fasica em espanhol, ent\u00e3o uma coisa linda sobre aquelas can\u00e7\u00f5es de r\u00e1dio dos anos 80 e at\u00e9 mais velhas, fomos inspirados por todos esses elementos musicais e decidimos come\u00e7ar a usar alguns conte\u00fados rom\u00e2nticos e psicod\u00e9licos nas letras. Um deles est\u00e1 estreitamente relacionado com a revolta social e a perda de entes queridos.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-15856 alignnone\" src=\"https:\/\/hom.urgesite.com.br\/wp-content\/uploads\/2020\/09\/seatemples-band-e1600104820810.jpg\" alt=\"Seatemples band\" width=\"700\" height=\"510\" srcset=\"https:\/\/hom.urgesite.com.br\/wp-content\/uploads\/2020\/09\/seatemples-band-e1600104820810.jpg 700w, https:\/\/hom.urgesite.com.br\/wp-content\/uploads\/2020\/09\/seatemples-band-e1600104820810-600x437.jpg 600w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p><strong>\u201cEcos\u201d \u00e9 minha can\u00e7\u00e3o preferida do \u00e1lbum no momento, algo que sempre tende a mudar com o tempo e novas audi\u00e7\u00f5es, algo que acontece com v\u00e1rios \u00e1lbuns. Tem alguma can\u00e7\u00e3o no \u00e1lbum que te toca mais? E voc\u00ea compartilha dessa sensa\u00e7\u00e3o de altern\u00e2ncia no gosto das can\u00e7\u00f5es dos \u00e1lbuns com o passar do tempo?<\/strong><br \/>\n<strong>R:<\/strong> Achamos que m\u00fasicos e artistas em geral sempre t\u00eam uma pe\u00e7a com a qual se conectam mais. No nosso caso, gostamos de tocar e ouvir todas as nossas m\u00fasicas, especialmente &#8220;Ecos&#8221;, e acho que \u00e9 porque ela est\u00e1 diretamente relacionada \u00e0s nossas ra\u00edzes mais profundas em termos da m\u00fasica rom\u00e2ntica com a qual crescemos.<\/p>\n<p>Em rela\u00e7\u00e3o \u00e0 sensa\u00e7\u00e3o de altern\u00e2ncia, definitivamente acontece! Relaciona-se muito com os sentimentos e fases da vida que voc\u00ea est\u00e1 passando no momento.<\/p>\n<p><strong>Falando em tempo, muito se fala dos tempos corridos que vivemos e como vinte e quatro horas n\u00e3o parecem ser suficientes para darmos conta de tudo que temos que fazer. Qual tua opini\u00e3o? Consegue administrar seu tempo de forma satisfat\u00f3ria?<\/strong><br \/>\n<strong>R:<\/strong> Na verdade, os tempos est\u00e3o muito ocupados agora, mas para o melhor ou para o pior, estamos trabalhando em casa, ent\u00e3o temos sido capazes de administrar bem o tempo, apesar de todas as milh\u00f5es de coisas que temos que fazer diariamente, temos dormido algumas horas a menos, mas em geral, essa nova normalidade ainda n\u00e3o nos afetou.<\/p>\n<blockquote><p>\u00c0s vezes \u00e9 dif\u00edcil encontrar o equil\u00edbrio entre trabalho e casa, especialmente agora que est\u00e1 tudo misturado e acho que tem sido uma quest\u00e3o problem\u00e1tica ultimamente, estamos vivendo neste per\u00edodo de transi\u00e7\u00e3o em que voc\u00ea tem que fazer o que puder, especialmente os trabalhadores que lidam com pessoas, para o bem maior sem direito de reclamar. Esperan\u00e7osamente, esse per\u00edodo levar\u00e1 as pessoas a entender que o tempo \u00e9 precioso e que devemos estar muito conscientes de como escolhemos gast\u00e1-lo.<\/p><\/blockquote>\n<p><strong>Ainda sobre o tempo, se pudesse voltar e fazer algo diferente em rela\u00e7\u00e3o ao Seatemples ou de forma geral, mudaria alguma coisa?<\/strong><br \/>\n<strong>R: Provavelmente, considerando uma turn\u00ea internacional antes da pandemia!<\/strong><\/p>\n<p><strong>Seatemples est\u00e1 presente nas plataformas Spotify e Bandcamp. Muitos criticam o Spotify pelo valor que \u00e9 pago aos artistas, outros elogiam o Bandcamp por ser mais \u201camig\u00e1vel\u201d aos artistas? Qual sua opini\u00e3o?<\/strong><br \/>\n<strong>R:<\/strong> Achamos que o Spotify e todas as plataformas de distribui\u00e7\u00e3o semelhantes n\u00e3o s\u00e3o t\u00e3o amig\u00e1veis \u200b\u200bpara os artistas quanto o Bandcamp, no entanto, o Spotify oferece mais distribui\u00e7\u00e3o e disponibiliza sua m\u00fasica para diferentes tipos de p\u00fablico, o que, no final, pode levar as pessoas a procurarem voc\u00ea em outras plataformas onde eles podem adquirir sua m\u00fasica.<\/p>\n<p><strong>J\u00e1 que estamos falando de formatos de distribui\u00e7\u00e3o, voc\u00eas pretendem lan\u00e7ar o Tropicos em m\u00eddia f\u00edsica ou ser\u00e1 apenas virtual?<\/strong><br \/>\n<strong>R:<\/strong> Sim, na verdade lan\u00e7amos um digipack que estava dispon\u00edvel para o territ\u00f3rio chileno, e que j\u00e1 se esgotou, e planejamos lan\u00e7ar uma segunda edi\u00e7\u00e3o do CD por meio de nosso selo, Icy Cold Records, que esperamos sair em setembro, mais um edi\u00e7\u00e3o em cassete atrav\u00e9s do Black Jack Illuminist. Espero que no futuro possamos lan\u00e7ar uma vers\u00e3o em vinil, mas por enquanto esses s\u00e3o os planos.<\/p>\n<p><strong>Considerando esse momento singular que estamos vivendo, como tem sido o processo de divulga\u00e7\u00e3o do \u00e1lbum, h\u00e1 planos de apresentar as can\u00e7\u00f5es ao vivo no p\u00f3s-pandemia. Consegue vislumbrar como ser\u00e3o os shows no p\u00f3s-pandemia?<\/strong><br \/>\n<strong>R:<\/strong> A promo\u00e7\u00e3o do \u00e1lbum tem sido principalmente online, como tudo agora, e acho que tem suas vantagens, uma vez que o coronav\u00edrus obrigou as pessoas passarem mais tempo em seus computadores, o que nos ajudou a atingir p\u00fablicos diferentes e tamb\u00e9m obter mais feedback, o que at\u00e9 agora tem sido incr\u00edvel! Em rela\u00e7\u00e3o aos shows, neste momento a apresenta\u00e7\u00e3o mais importante \u00e9 o Festival Independencia S\u00f3nica, onde dividiremos o cen\u00e1rio virtual com v\u00e1rias bandas de shoegaze, dream pop e postpunk da Am\u00e9rica Latina.<\/p>\n<p>Provavelmente no futuro os programas ser\u00e3o majoritariamente online, como Independencia S\u00f3nica, ou muito restritos em termos de espa\u00e7o, como os que est\u00e3o acontecendo neste momento com quadrados 3&#215;3 onde as pessoas t\u00eam que se manter dentro dos limites ou no carro, nenhuma destas op\u00e7\u00f5es \u00e9 o ideal, gostamos da adrenalina do palco!<\/p>\n<p><strong>Seatemples chegou aqui no Brasil inicialmente gra\u00e7as \u00e0 participa\u00e7\u00e3o no tributo ao Slowdive, do The Blog That Celebrates Itself? Como aconteceu a participa\u00e7\u00e3o e o que motivou a escolha da faixa \u201cSpanish Air\u201d?<\/strong><br \/>\n<strong>R:<\/strong> T\u00ednhamos feito alguns singles antes, mas ainda n\u00e3o t\u00ednhamos lan\u00e7ado nosso \u00e1lbum, ent\u00e3o foi muito bom ter sido convidado (por Renato Malizia) para participar desse projeto, especialmente porque somos grandes f\u00e3s de Slowdive. Como \u00e9ramos a \u00faltima banda a entrar, procuramos uma m\u00fasica com a qual nos sent\u00edssemos confort\u00e1veis, ent\u00e3o chegamos a &#8220;Spanish Air&#8221;. Olhando agora em retrospectiva, percebemos que foi uma \u00f3tima escolha e traz muitas lembran\u00e7as.<\/p>\n<p><iframe style=\"border: 0; width: 200%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=4269724728\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/seatemples.bandcamp.com\/track\/spanish-air-slowdive-2017\">Spanish Air [Slowdive] 2017 by Seatemples<\/a><\/iframe><\/p>\n<p><strong>No dia 25 de setembro voc\u00eas participar\u00e3o do Festival Online Independ\u00eancia Sonica, que ter\u00e1 bandas Shoegaze\/Dreampop\/Post-Punk, incluindo novas como a brasileira Ousel ou a argentina Nax, e experientes como Resplandor, uma das bandas sul-americanas mais longevas e representativas do Shoegaze e Dreampop do continente. Voc\u00ea acompanha o cen\u00e1rio musical do continente? Quais bandas, al\u00e9m das citadas, poderia indicar, incluindo de seu pa\u00eds?<\/strong><br \/>\n<strong>R:<\/strong> Sim! Somos grandes f\u00e3s de bandas latino-americanas dos anos 80 e 90, como Jirafa Ardiendo, Lucybell, Malcoraz\u00f3n, Sien, Pinochet Boys, Congelador, Congelador, Sumo, Caifanes, La Ley, Size e alguns atuais, como Santo Suicida, The Conhe\u00e7a, Maff, Diavol Str\u00e2in, Kilometro 22, Lasitud, Rilev, Pilgrims of Yearning, Jesucrisis, Lluvia Trip, Pure Morning, Hexagramas e Car Crash Sisters.<\/p>\n<p><strong>Finalmente, podemos esperar v\u00ea-lo aqui no Brasil no futuro?<\/strong><br \/>\n<strong>R:<\/strong> Com sorte, assim que acabar o coronav\u00edrus! Adorar\u00edamos tocar no Brasil, principalmente em S\u00e3o Paulo, temos muitas pessoas que nos seguem de l\u00e1 e estamos apenas esperando as condi\u00e7\u00f5es de estarmos seguros para ir e se divertir nos palcos brasileiros.<\/p>\n<p><strong><span style=\"color: #ff6600;\">SEATEMPLES NAS REDES:<\/span><\/strong> <a href=\"https:\/\/seatemples.bandcamp.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Bandcamp<\/a> | <a href=\"https:\/\/www.facebook.com\/seatemples\/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook<\/a> | <a href=\"https:\/\/www.instagram.com\/seatemples.music\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram<\/a> | <a href=\"https:\/\/www.youtube.com\/seatemples\" target=\"_blank\" rel=\"noopener noreferrer\">Youtube<\/a> | <a href=\"https:\/\/open.spotify.com\/album\/5DGxkgRNbHA54JELmPTeZ7\" target=\"_blank\" rel=\"noopener noreferrer\">Spotify<\/a><\/p>\n<hr \/>\n<h3><a name=\"\u00e2ncora\"><\/a>INTERVIEW IN ENGLISH<\/h3>\n<p>Coquimbo is a maritime city in northern Chile, and in the words of its founder, Patricio Temples, what most likes the city is its location, close to the sea, where \u201cmost of the year we can observe a dense coastal fog curtain in contrast to the coastal mountain range, which is very inspiring \u201d.<\/p>\n<p>Formed in 2014, and centered on the duo Patricio Temples and Priscila Ugalde, the band recently released their second album, <em>Tropicos<\/em>, following on from <em>Down Memory Lane<\/em>, from 2017.<\/p>\n<p>They remain imposing in their ability to create dense atmospheric spirals of great magnetic power that suddenly attract, stun and hypnotize us through thick stunning mists that join with deep melodic elements perpetrated by the bass lines. The sensation is of a seductively enveloping vortex in which we are thrown and we throw ourselves back in a cycle that repeats itself, like Sisyphus rolling the rock to the top of the mountain.<\/p>\n<p><span style=\"font-size: large;\">Perhaps it is how the band describes their music &#8220;a way of traveling through different scales along the senses and emotions&#8221;. Upon entering this journey proposed by Seatemples, feelings of nostalgia and melancholy are evoked. A kind of romanticism that resonates through the dark walls of copious carvings built in the form of songs, which come together at different points, but elaborate unique aspects in each one.<\/span><\/p>\n<p>Anyway, the type of music that seems to be in vain looking for words to describe it, since it is intimately connected with sensations, something unique and mysterious.<\/p>\n<p>We asked the group about origins and training, about the recording process of <em>Tropicos<\/em>, about the weather, Bandcamp and many other things, which are there in our interview.<\/p>\n<hr \/>\n<p><strong>What was the spark that lit up for you to decide to form Seatemples? Who is in the band today?<\/strong><br \/>\n<strong>R:<\/strong> Patricio and I have known each other for a very long time, both of us had participated of previous musical projects but it wasn\u2019t until 2014 that we got together and started playing as a band. At that time we were living by the sea, so having this landscape so close was definitely inspiring and something we wanted to add into our music.<br \/>\nThe band right now is Patricio in guitar, vocals synth and samples, Priscila bass and vocals, Harold in drums and percussion and Valentino who is just incorporating to the band.<\/p>\n<p><strong>On the choice of the title of the new album, Tropicos, which would be a kind of \u201cmapping of different geographical latitudes within a variety of nuances and hypnotic atmospheres\u201d. What could you tell us about?R: <\/strong>It\u2019s a metaphore to speak about how our music can travel through different scales along our senses and emotions, when I wrote the songs I tried not to repeat the emotional scenes they evoke, I attempt to make different stories with a variety of characters and textures to create a new setting or plot in each case.<\/p>\n<p><strong>The album was released a few days ago, in the midst of the pandemic, but had the recordings started in 2019. How was the recording process and what led you to release the album at this very delicate moment?<\/strong><br \/>\n<strong>R:<\/strong> Well, the social uprising started in october <strong>[occurred in Chile]<\/strong>, at that point we had planned a tour along the country with at least dates or more. We tried to focus our efforts and time on finishing some details of the newest songs, we upgraded our home studio to make it more professional then the pandemic came and it was totally unestable to see an optimistic future but the true call of music and art had a bigger and more significant effect on us, so we decided to move on and also thanks to all our fans who wrote us sending their support actually it has rightly connected with the support when we offered a pre order for the album which was inmediately sold out.<\/p>\n<p><strong>The presence of producer and sound engineer Daniel Knowles (Amusement Parks on Fire, DIIV) in the mix and the Italian producer Maurizio Baggio (The Soft Moon, Boy Harsher, Holygram) in the mastering of Tropicos draws attention in technical aspects. How did this partnership happen?<\/strong><br \/>\n<strong>R:<\/strong> We had worked with Nicholas Wood previously in our first single Chaosphere, and our idea was to continue working with him but he had some time issues so in the end it wasn\u2019t possible. So there we were, with many songs recorded but with no producer, so that was when Patricio got in touch with Jennifer F. who introduced us to Daniel Knowles, her husband, who happened to be a former member of APOF, producer and sound engineer. We had a test mix and our visions coincided, so Daniel was the perfect addition to the team, and we are very happy with how the \u00e1lbum turned out.<\/p>\n<p><strong>How did Daniel and Maurizio&#8217;s work influence the final sound of Tropicos? Our impression is that there is a better \u201charmonization\u201d between the instruments. What do you think?<\/strong><br \/>\n<strong>R:<\/strong> Personally, I think Daniel and Maurizio helped us to pull everything together. Before recording, we studied the songs and tried to record as neatly as possible, but there are certain elements that have to be incorporated in the mixing.<\/p>\n<p><iframe style=\"border: 0; width: 200%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=565365847\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><a href=\"https:\/\/seatemples.bandcamp.com\/album\/down-memory-lane-album-2017\">Down Memory Lane [Album] 2017 by Seatemples<\/a><\/iframe><br \/>\n<strong>Did you feel any pressure, even from yourself, for being the second album? And how does it connect with Down Memory Lane, the previous album? My impression is of a more atmospheric, more dreamlike sound.<\/strong><br \/>\n<strong>R:<\/strong> I think this album connects with Down Memory Lane through intimate landscapes, it is very important for us to be able to create atmospheres that allow you to bond with whoever is listening. Since we created some expectations with Down Memory Lane, we learned a lot about the creative process we decided to spend more time and everything needed on his album to make a perfect record. Firstable, the songs are way more elaborated, we could integrate more resources, we tried to improve our skills to tell cinematic stories creating a remarkable soundtrack for misfits.<\/p>\n<p><strong>Your music incorporates elements from Post-Punk, Shoegaze, Dreampop and Darkwave, resulting in a musical combination that generates both melancholy and nostalgia, sometimes a sensation of hypnosis. How did Seatemples&#8217; music originate and what is the importance of lyrics in creating atmospheres?<\/strong><br \/>\n<strong>R:<\/strong> I think it has to do mostly with a vision when you start writing a song based on a single melody and line, it\u2019s like you had the skill to decide what to put before and after that magical scene, afterwards you pull the stages and enviroments because when you add these sounds which can vary and you realise about this due to a aesthetic criteria sometimes, so the you know what kind of lyrics you need to be develop in the right place and moment, this can also be done backwards, at the end I think its avery deep and special process, sometimes spiritual, sometimes experimental but you never disconnect your vision and sense of beauty and travelling along these scene one and again like going in loops.<\/p>\n<p><strong>Speaking of lyrics, what led you to compose songs in Spanish for the new album? When changing languages, do you also notice changes in the perception of the song&#8217;s atmosphere?<\/strong><br \/>\n<strong>R:<\/strong> Well, as Spanish native speakers we grew up reading a lot of poetry, Vicente Huidobro and Gabriela Mistral are quite familiar for us as well as music in Spanish, then beautiful thing about those radio songs from the 80 and even older, so we were inspired by all of these musical stages and decided to start using some romantic and psychedelic contents in the lyrics. One of them is strictly related with the social uprising and lost of loved ones.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-15856 alignnone\" src=\"https:\/\/hom.urgesite.com.br\/wp-content\/uploads\/2020\/09\/seatemples-band-e1600104820810.jpg\" alt=\"Seatemples band\" width=\"700\" height=\"510\" srcset=\"https:\/\/hom.urgesite.com.br\/wp-content\/uploads\/2020\/09\/seatemples-band-e1600104820810.jpg 700w, https:\/\/hom.urgesite.com.br\/wp-content\/uploads\/2020\/09\/seatemples-band-e1600104820810-600x437.jpg 600w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p><strong>\u201cEcos\u201d it&#8217;s my favorite song on the album at the moment, something that always tends to change with time and new auditions, something that happens with several albums. Is there a song on the album that touches you the most? And do you share that feeling of alternation in the taste of the songs on the albums over time?<\/strong><br \/>\n<strong>R:<\/strong> We think musicians and artists in general always have a piece with which they connect the most. In our case we enjoy playing and listening to all our songs, especially Ecos and I think it\u2019s because Ecos is directly related to our deepest roots in terms of the romantic music we grew up with.<\/p>\n<p>Regarding the feeling of alternation, it definitely happens! It relates very much with the feelings and stages of life you are going through at the moment.<\/p>\n<p><strong>Talking about time, much is said about the busy times that we live and as twenty-four hours do not seem to be enough to account for everything we have to do. What&#8217;s your opinion? Can you manage your time satisfactorily?<\/strong><br \/>\n<strong>R: <\/strong>Indeed times are very busy right now, but for better or for worse we are working from home so we have been able to manage time well despite all the million things we have to do daily, we have been sleeping a few hours less but in general this new normalcy has not taken a toll on us, yet.<\/p>\n<blockquote><p>Sometimes it&#8217;s hard to find balance between work and home, especially now that&#8217;s all mixed and I think that has been a problematic issue lately, we are living in this transition period where you have to do what you can, especially workers that deal with people, for the greater good with no right to complain. Hopefully this period will lead people to understand that time is precious and we have to be very aware of how we choose to spend it.<\/p><\/blockquote>\n<p><strong>Still on time, if you could go back and do something different in relation to Seatemples or in general, would you change anything?<\/strong><br \/>\n<strong>R:<\/strong> Probably, considering international touring before the pandemic!<\/p>\n<p><strong>Seatemples is present on the Spotify and Bandcamp platforms. Many criticize Spotify for the amount paid to artists, others praise Bandcamp for being more &#8220;friendly&#8221; to artists? What is your opinion?<\/strong><br \/>\n<strong>R:<\/strong> We do think Spotify and all similar platforms of distribution are not as friendly to artists as Bandcamp, however, Spotify offers more distribution and it makes your music available for different types of audiences which, in the end, may lead people to look for you in other platforms where they can acquire your music.<\/p>\n<p><strong>Since we are talking about distribution formats, do you intend to launch Tropicos in physical media or will it be just virtual?<\/strong><br \/>\n<strong>R:<\/strong> Yes, we actually released a digipack that was available for chilean territory, and that is already sold out, and we plan to release a second CD edition through our label, <a href=\"https:\/\/icycoldrecords.bandcamp.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Icy Cold Records<\/a>, that will hopefully be out in September, plus a cassette edition through <a href=\"https:\/\/blackjackilluministrecords.bandcamp.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Black Jack Illuminist<\/a>. Hopefully in the future we will be able to release a vinyl version, but for now these are the plans.<\/p>\n<p><strong>Considering this singular moment that we are living, as has been the process of promoting the album, there are plans to present the songs live in the post-pandemic. Can you imagine what the post-pandemic shows will be like?<\/strong><br \/>\n<strong>R:<\/strong> The promotion of the album has been mainly online, as everything right now, and I think that has played to our advantage since coronavirus has imposed that people have to spend more time in their computers so that has helped us reach different audiences and also get more feedback, which so far has been amazing! Regarding shows, right now the most important presentation is Independencia S\u00f3nica Festival, where will be sharing the virtual scenario with many shoegaze, dream pop and postpunk bands from Latinamerica.<\/p>\n<p>Probably in the future shows will be mostly online, like <a href=\"https:\/\/www.facebook.com\/indepedenciasonica\/\" target=\"_blank\" rel=\"noopener noreferrer\">Independencia S\u00f3nica<\/a>, or very restricted in terms of space, like the ones that are being held right now with 3&#215;3 squares where people have to stay within the limits or in their cars, none of these options is the ideal, we like the adrenaline of the stage!<\/p>\n<p><strong>Seatemples arrived here in Brazil initially due to participation in the tribute to Slowdive, by The Blog That Celebrates Itself? How did the participation happen and what motivated the choice of the song \u201cSpanish Air\u201d?<\/strong><br \/>\n<strong>R:<\/strong> We had had some singles in rotation before but we hadn\u2019t released our album yet so it was a very nice plus being invited (by Renato Malizia) to participate in this project, especially because we are big fans of Slowdive. Since we were the last band to get in, we worked our way through finding a song that we were comfortable with, so we landed in <a href=\"https:\/\/theblogthatcelebratesitself.bandcamp.com\/track\/seatemples-spanish-air\" target=\"_blank\" rel=\"noopener noreferrer\">Spanish Air<\/a>. Now the we see it in retrospective, it was a great choice and it brings back a lot of memories.<\/p>\n<p><iframe style=\"border: 0; width: 200%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=4269724728\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/seatemples.bandcamp.com\/track\/spanish-air-slowdive-2017\">Spanish Air [Slowdive] 2017 by Seatemples<\/a><\/iframe><\/p>\n<p><strong>On September 25th you will participate in the Independencia S\u00f3nica Online Festival, which will have Shoegaze \/ Dreampop \/ Post-Punk bands, including new ones like the Brazilian Ousel or the Argentine Nax, and experienced ones like Resplandor, one of the most long-lived South American bands and representative of the continent&#8217;s Shoegaze and Dreampop. Do you follow the continent&#8217;s music scene? Which bands, besides those mentioned, could you indicate, including from your country?<\/strong><br \/>\n<strong>R:<\/strong> We do! We are big fans of latinamerican bands from the 80s and 90s such as Jirafa Ardiendo, early Lucybell, Malcoraz\u00f3n, Sien, Pinochet Boys, Congelador, Sumo, Caifanes, early La Ley, Size, and some current ones like Santo Suicida, The Know, Maff, Diavol Str\u00e2in, Kilometro 22, Lasitud, Rilev, Pilgrims of Yearning, Jesucrisis, Lluvia Trip, Pure Morning, Hexagrams and Car Crash Sisters.<\/p>\n<p><strong>Finally, can we hope to see you here in Brazil in the future?<\/strong><br \/>\n<strong>R:<\/strong> Hopefully, once coronavirus is over! We would love to play in Brazil, mostly in Sao Paulo, we have many people that follow us from there and we\u2019re just waiting for the conditions to be safe to go and have a blast in brazilian stages.<\/p>\n<p><span style=\"color: #ff6600;\"><strong>SEATEMPLES IN SOCIAL NETWORKS: <a href=\"https:\/\/seatemples.bandcamp.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Bandcamp<\/a> | <a href=\"https:\/\/www.facebook.com\/seatemples\/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook<\/a> | <a href=\"https:\/\/www.instagram.com\/seatemples.music\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram<\/a> | <a href=\"https:\/\/www.youtube.com\/seatemples\" target=\"_blank\" rel=\"noopener noreferrer\">Youtube<\/a> | <a href=\"https:\/\/open.spotify.com\/album\/5DGxkgRNbHA54JELmPTeZ7\" target=\"_blank\" rel=\"noopener noreferrer\">Spotify<\/a><\/strong><\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>READ IN ENGLISH Coquimbo \u00e9 um cidade mar\u00edtima do norte do Chile, e nas palavras de seu fundador, Patricio Temples, o que mais gosta da cidade \u00e9 a sua localiza\u00e7\u00e3o, &#8230;<\/p>\n","protected":false},"author":2,"featured_media":15758,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1573],"tags":[1726,1129,4819,4822,2963,4821,4059,234,4820],"class_list":["post-15757","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entrevistas","tag-darkwave","tag-entrevista","tag-interview","tag-patricio-temples","tag-post-punk","tag-priscila-ugalde","tag-seatemples","tag-shoegaze","tag-tropicos"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.4 - 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